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| The Impro Brain |
| Sonntag, 27. Februar 2005 | |
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Ein englischer Gastbeitrag von Jacob Branigan (ehemals Rapid Fire, Canada) zur Anregung und gerne auch zur Übersetzung: -------------------------------- Tools we have available during impro. Most items have an inverse, an opposite. Each item can connect with any other item, can complement it. These are each neutral on their own. This list has been added to since the day of initiation. This list will never be complete. JACOB'S TRIANGLE: The Three Corners: REALITY; FICTION; ABSTRACT The inverse of ABSTRACT is CONCRETE. We find it hard to imagine working purely in any one corner. Rather, STORIES happen inside the Triangle. We believe changing position within the Triangle is essential. Certain structures, formats keep us in one particular area of the Triangle. STORIES SPONTANEITY CONTRAST KNOWLEDGE CONTINUITY TENSION SELVES FACTS EXPERIENCE JUSTIFICATION RELAXATION CONNECTION AUDIENCE NARRATION EXPLORING ORDER DISORDER STRATEGY FORMATS SIMULTANEITY SOMETHING NOTHING ANYTHING EVERYTHING TELLING STRUCTURE INSTINCT ACTING ABILITY PRESENCE SET NON-NARRATION COLOURS ASSOCIATION COMPETITION EMOTIONS MEDIA LIGHTS MOMENTS TRANSFORMATION NAIVITEE MEMORY MEMORY OF THIS IMPROV PREPARATION PREPARED INPUT MAN/WOMAN ANIMALS FOCUS CHARACTERS RHYTHM HUMOUR SOUL VOICE SETTING IRONY IMPULSE SUPPORT RELATIONSHIPS FAILURE SUCCESS MONOLOGUE DIALOGUE ACTION COSTUMES SWITCH HARMONY GAGS MICROPHONE SLAPSTICK SILENCE MUSIC TIME VOICEOVER LAZZI DRAMATURGY DESIGN SAID/UNSAID FORETHOUGHT FLEXIBILITY PERSISTENCE INSISTENCE DYNAMIC PLACEMENT ATMOSPHERE GROUP COLLECTIVE REALITY ENTERTAINMENT POP CULTURE CULTURE AIM ROLES LISTENING WATCHING RISK GAMES SPACE ACCIDENTS PURITY BODY MOOD EXPECTATIONS PROMISES PROPS PIMPING DANCE NOISES SINGING SONGS OFFERS BLOCKS STAGE PICTURE WITNESSING ACCEPTING OVERACCEPTING TRAGEDY AWARENESS COMEDY IGNORANCE TRADITION CONCENTRATION SPECIAL EFFECTS SPECIALTIES PRIVACY DREAMS WISHES HOPE FEAR INPUT OPINION HABITS GENRE LANGUAGE GIBBERISH STATUS IMAGINATION VULGARITY PROPRIETY MIME TABOO TABLEAUX REPRESENTATION PATIENCE EVENT SYMBOLS ICONS TRUST QUESTIONS MAKEUP AGGRESSION RITUALS FUNCTION BIOGRAPHY SECRETS HANDICAPS PERSONAL PATTERN RANDOM ECONOMY GENERALISATION JUDGEMENT ELEMENTS DETAILS UNITY PREJUDICES CLICHE IMAGERY NUMBERS UNDERSTANDING PUBLIC RARE COMMON DIRECTION EXPLANATION SOLO MANIPULATION SPECIFIC GROTESQUE POTENTIAL EXPERIMENT EXPERTISE DISCIPLINE HARMONY MORALITY MORALS ENDOWMENT EDITING ENERGY INFORMATION EFFECT |